Pirates! The Penzance Musical (2025) (Broadway)

David Hyde Pierce was born to play the modern major general. His straight deadpan demeanor is perfectly suited to the notorious patter song. He's funny as always. There's lots of comedic wordplay and overall the humor worked for me. The play is not the straight Pirates of Penzance you know. There's a bit of a framing device, providing context for the show's original premiere in 1879. Pierce actually plays the composer playing the modern major general. This production also integrates several songs from other Gilbert and Sullivan shows. Songs from HMS Pinafore, The Mikado and Iolanthe. There's a fun washboard number. The ending recasts "He is an Englishman" to "We're All From Someplace Else", a rousing ode to immigrants that gives the production its raison d'etre in 2025. It gives the show some meaning beyond the loony plot. 

PS. the subtitle of the show is "The Slave of Duty" and in some ways that's about dharma, isn't it? 

Here We Are (The Shed) (2023)

Here We Are is Stephen Sondheim's final unfinished work. It is a long gestating adaptation of Luis Bunuel's The Discreet Charm of the Bourgeoisie (they can't eat) and The Exterminating Angel (they can't leave), a combination of two brilliant surrealist fantasies.  I think Sondheim knew he wasn't going to finish it. You can see it in Act II. There are scenes that clearly left room for a song. There's a little bit of under-scoring. But Act II is virtually a straight play. And supposedly the cop out is that the nature of The Exterminating Angel doesn't call for music because they're trapped in a room, but I don't really buy that excuse. He just didn't finish it and they left it that way. Act II though has a phenomenal set. And I actually quite like the simpler set in Act I too with the banquette/signs that descend from the ceiling to form makeshift restaurants, along with the cool virtual grass on the sides of the stage.

I don't remember such an explicit eat-the-rich bent to the movie, but it works here and I think makes it relevant and modern. The music in Act I is extremely Sondheim. The wordplay, rhythm, and music are all reminiscent of his classics. I think my favorite was the patter song sung by a fantastic Denis O'Hare at the first restaurant. I didn't know his name but I recognized him from The Good Wife/Fight, though not until I saw him up close. Before the play actually starts, O'Hare and Tracie Bennette in their maid and butler outfits tidy the immaculate stage walls and mirrors. The other standout for me was David Hyde Pierce who essentially plays Niles form Frasier and has just the type of one-liners. It's a star-studded cast of theater vets paying homage to the legend. 

Aside, in a rather quiet moment of Act II there was a loud disruptive noise coming from what I can only guess was the HVAC system. I thought maybe it was part of the show at first, as the actors briefly paused but the show went cause they're professionals. Though the sound went on for quite a while.