David Simon's sleek adaptation of the Philip Roth novel is terrifying. It is a WWII alternate history Roth wrote during the George W Bush era, but it is painfully familiar in the Donald Trump era. America realized a version of Charles Lindbergh's fascist fantasy under Trump making it an especially timely adaptation. The first few episodes are a bit slow, but the finale is extremely intense. That drive to and from Danville, Kentucky is a masterclass in suspense. The 1940s production design is excellent. The actors are all great; I think Zoe Kazan is especially good as the Bess. From what I've read, Simon changed the perspective of the novel, which was originally told by older Philip (a stand-in for the author) remember his childhood. The show is rather third person omniscient, following the action of all the characters separately. It's more natural for a TV show, but it does feel like something is fundamentally changed by making it more impersonal. And the bleak ending of the show is more pessimistic. Now that we've lived through the Trump era and see that the racists have not gone away, Simon's ending is probably more realistic, appropriately cynical.
