Showing posts with label Rachel Brosnahan. Show all posts
Showing posts with label Rachel Brosnahan. Show all posts

Sunday, July 2, 2023

The Marvelous Mrs. Maisel (2017-23)

At the best of times, The Marvelous Mrs. Maisel was the funniest show on TV.  I think Amy Sherman-Palladino was well aware of the criticism often levied against it by the New York Jewish viewers. It leaned heavily into Jewish stereotypes, and as the show progressed, it got more and more extreme. She said yes and doubled the ante. The parents were especially overbearing. But they were such genuine characters. And they were hilarious. It's a supremely winning cast.

The final season takes a daring narrative turn. We see several flash forwards, showing us where the characters end up. The rest of the season fills in the gaps to show us how they got there. Similar to Insecure, we see how a tight friendship dissolves. The ending has 3 endings: a televised set, a flashback to a restaurant scene with Luke Kirby, and a flash forward to Midge and Susie. The last one was sweet but I think I could've done without it. It might've been more poignant to end on Wo Hop. Luke Kirby tenderly played Lenny Bruce, a real life legendary comedian. There is a beautiful scene in which he performs All Alone on the Steve Allen show, word for word, beat for beat. It's funny and sad and poignant and perfect. I know Midge and Susie's relationship is the heart of the show, but Lenny is the real history behind the show. It gives the show some more heft above a standard comedy.

The look of the show was gorgeous. The costumes and set design transport you to the glamour of the 60s. It filled that Mad Men sized hole on television. The music drops too were very well done. I think the best arc on the series was when they went to the Catskills, aka the Borscht Belt. Takes you back to Nevele.

Monday, January 21, 2019

House of Cards (2013-8)

It's the show that put Netflix on the map. And I think that's why they kept it around for so long; they just couldn't bear to see their firstborn go. But since then, Netflix has introduced a full slate of original programming. Some of it is bad, some of it is good, and some of it is excellent. House of Cards was all those things. Season 1 was excellent. House of Cards dove deep into the most obscure clauses of the Constitution to make interesting drama. But after a certain point, it got so ridiculous and aimless that it was hard to care anymore. Each season introduced new characters that I could neither keep straight nor invest in. I think it's when Frank finally became President that it really became unredeemable. That would have been a fine place to stop; he achieved the pinnacle and the show could end. But they kept going and in the subsequent seasons, there's only one moment that stood out for me. It was the scene at the Democratic Convention with the rousing music from the titles. Even good acting can't save this one. And when they got rid of Kevin Spacey, they another perfectly good opportunity to call it quits. But they kept going and I didn't follow any of the final season. One thing worth noting is House of Cards brought much needed jobs to Baltimore and more shows taking place in the Beltway should consider filming in Charm City.