The Eddy (2020)

I feel like I was a little deceived. I thought that Damien Chazelle was doing the whole series but it turns out that he only directed the first two episodes. But the marketing worked; his name drew me to this Parisian jazz drama. I didn't actually care much for the drama. But I love the jazz. I wish there was more music and less plot because the plot is messy. The characters' motivations are often fuzzy. They make irrational choices and most of them are pretty annoying. It was ultimately worth watching for the music and the great jazz memorial scene.

The Hate U Give (2018)

Don't judge the movie by its trailer. The trailer looks like a cheesy teen movie. It is so much better than that. The narration at times sounds a little forced, I'll admit that, with the cheesy street slang needed to be spelled out for the white folks in the audience.

So let me frame the movie for you the way it ought to be presented in a more just world. This is the story of Starr, an African American teenager of immense courage. The movie opens with a scene that is universal for black families in the US, the talk. Immediately the audience is thrust into a world in which young children must learn to remain composed in the face of the state. We are shown the incredible restraint this young woman must display everyday to those who know her best as she straddles two identities between two neighborhoods worlds apart. We see Starr display bravery as she enters hostile territory everyday at the fancy white private school she attends. At the height of the civil rights movement, Martin Luther King in his Letter from a Birmingham Jail called out those white moderates frustrating the cause of civil rights, and today those white moderates continue to feign utter blindness. And of course there's Starr's awful white friend Haley who doesn't help either.

The story is driven by a terrible, all-too-common case of police brutality. But it gets much deeper than that. It is about a black community terrorized by THUG LIFE, as so astutely put forth by 2pac decades ago. There is a secondary conflict between the drug lords that run Starr's neighborhood and her family that sort of dilutes that primary message about the death of Khalil. The fact that Khalil dealt drugs is irrelevant to his murder. Starr could have plausibly said presented her witness statement while making no comment on whether he dealt drugs, as she didn't even know firsthand. It is only when you take it in the wider context of a people systemically oppressed does its inclusion in the story make sense. It is perhaps this that makes the movie so much better than I had expected.

It is a very emotional movie, particularly a scene in which the children stand out in the yard and recite the Black Panther Ten Point Program. The ending is also really well done. Amandla Stenberg as Starr gives a starr-turning performance. Her father also has some very memorable lines, including showing the audience his tattoo of his reasons to live and die. The lists are the same. I think it gets at the source of emotion in the movie. It is not death, but life, survival, that evokes emotion.