20th Century Women (2016)

1970s Santa Barbara is an idyllic setting for a film. The subject is Annette Bening's Dorothea but it's really about the period. Mike Mills captures a time. He does this with costumes, punk music, old cars, and psychedelic colors in traveling scenes. What makes the movie particularly beautiful is the atmospheric music, the calm and poetic narration, and the heart of the story. A single mother raising her teenage son with a little help. It's not exactly a coming-of-age story. It's not about Jamie, but about Dorothea's experience raising her son. Annette Bening is phenomenal. She is allowed to shine without being too showy. You come to care about the characters. We watch them develop, getting their background and their future over the course of the film. It's a truly beautiful pleasure to experience their lives for a couple hours.

The Neon Demon (2016)

There is only one good thing about this movie, and that is the cinematography. Many of the shots you might find in a Vogue photoshoot. They are stylish and glitzy. The models: stoic and sexy. The first third of the film makes use of bold colors and lights, especially in the club scene. But after that, it seems like Refn gives up on style, and is just going for shock. His manner of shock is disgusting and misogynistic (and would have guessed that cannibalism would be a common theme in the Festival?). The characters are flat and one-dimensional, reducing these women to vicious animals, and one deer in the headlights.  Concerning the male characters, their stories are underdeveloped and unfinished. We are left hanging, not that I was ever really invested in them enough to care. Sure, I get the message about the modeling industry--but it is an inherently misogynistic one. As far as plot goes, there is beginning and end, but the middle is severely lacking. You are constantly asking "what the heck is happening?" Take the catwalk for example. What was the inexplicable triforce light doing there? I would go so far as to say it is boring and offensive movie. 

Trumbo (2015)

Bryan Cranston proves that he is a master of acting in all mediums. After his unforgettable turn as Walter White in Breaking Bad and a run on Broadway in 2014, he takes on a leading role in a film. I love the scenes when Cranston is in full screenwriting mode at his typewriter, or in the tub literally cutting and taping together lines. In a way, Trumbo is similar to Walter White. Like Walter, Trumbo has to innovate, adapt to survive in a world that is working against him.  Helen Mirren is also fabulous as Hedda Hopper, who is intimidating to even the most powerful men in Hollywood. Louis CK was pleasantly surprising in a role that I wouldn't have pegged him for.

The story is well done, if a bit cliched at times. Sometimes the speeches are a bit too soapbox-y about American ideals and what not. But I do like movies about movies, especially in the classic Hollywood era. And it is a smart movie. The Hollywood Ten were undoubtedly smart, trying to pull one over the House Un-American Activities Committee and subsequently defeating the blacklist. 

Maleficent (2014)

This movie is part origin story, part retelling of Sleeping Beauty, part altering the original story.  The movie attempts to Wicked-fy Maleficent, remaking the traditional villain into a morally ambiguous character.  However, whereas Wicked does not mess with the original source material, Maleficent takes lots of liberties in modifying the plot line of the classic Disney movie.

The movie has a really great look with a nice combination of CGI and practical effects.  This takes place in a dark, angular, and thorny fairy tale world.  Angelina Jolie is transformed into the iconic dark fairy with the aid of some intense makeup and a stylish pair of horns.  She has the presence of an ominous giant, filling the room or the forest.  She is so entertaining to watch because at times she can scare you and yet there are other times in which she shows vulnerability, a side of Maleficent we are not used to seeing.  Lastly, Lana del Rey's haunting rendition of Once Upon a Dream sends chills down the spine--a perfect arrangement for a powerful singer.